Embracing the Monster part 2

Who is Patricia Piccinini?

In conclusion, I look back especially on the last 4 years at what the world's humans were faced with in regards to the plandemic and the measures forced on us to "protect" ourselves and others from these diseases. These diseases that many of us have come to understand were manipulated and designed in laboratories, and Bio weapons facilities, and by invasive and deadly "smart" technologies.  Diseases brought to us by those who wish to control human, plant and animal populations.  And even more egregious, the remedies which would mutilate us, if not completely poison us and bring about severe trauma and finally death.

Many of us have known this kind of handy work has been going on for years in secret labs. We knew what was happening in WW2 in the concentration camps, and then continued here in the states when our own governments brought these sadistic demonic so-called scientists over to the Americas to continue their diabolical testing and torture of helpless living beings through the MK Ultra mind control programming, that is no longer a secret.

Although I haven't been able to Link Patricia Piccinini specifically to these "life sabotaging and genetically manipulating players" except for the admiration given to her by the Podestas, I did find some very interesting ideas that she shares when she is talking about what inspires her malformed and even hideous art creatures, I will share with you here:

   From her show 

WE ARE ALL CONNECTED;

Piccinini is known for her hyperrealistic sculptures of chimeras – grotesque, surreal and sometimes quite eerie beings that nevertheless exude humanity and look like they could just as well inhabit a lucid dream, as be the result of a scientific experiment in a laboratory. With her beings, the boundary between reality and fiction is further dispelled by the fact that they all have human eyes. Eyes that are disarmingly real, open, emotionally prodding, thoughtful and questioning. Eyes that embody the entire range of human emotion and feelings, thus confronting the viewer with fundamental questions about existence, both in the absolutely private sense of the individual and in the sense of humankind’s role, place and responsibility in the planetary ecosystem.

https://arterritory.com/en/visual_arts/interviews/25436-we_are_all_connected/

I can even come to 'like' Patricia, and muster up some respect if she sincerely is trying to disclose what is happening behind secret government/Frankenstein Laboratories.  Here she addresses this very issue:

   Yes, humans are capable of manipulation and do manipulate. They manipulate themselves as well as nature, but – as the current global pandemic has shown – they are unable to control nature or the course of evolution. What are the boundaries and consequences of human permissiveness? How ethical are biotechnology experiments? How inclusive and empathetic are we in relation to the other, to the foreign? How often do we think about the other people, animals, plants, birds and other things that share this planet with us? How often do we think about how they feel, or what it feels like to be them?

I can especially relate to her message of asking why we as humans do not relate to other living beings? Why we never consider the consequences of life besides human life.  Her sculptures bring forth from deep within me these heartbreaking and depressive feelings I have always had about how we as Humans treat LIFE, not only human life but all life. 

I do wish that we could all see the beauty in all life forms and existence, but I draw the line when she includes artificial life forms.  What does she even mean by artificial Life? Is there a deeper message she is trying to get across to us Humans   'Avatars"????

Piccinini’s work urges us to see beauty in all forms of existence, no matter how deformed or artificial they may sometimes be. She is also inspired by themes of fecundity in the broadest sense – the potential of life, empathy and the connection between species. At the same time, her beings remind us how genetically close humans are to other species, how greatly we depend on one another and the responsibility we have for everything we create.

So it really piqued my curiosity when I came across this write up of her show in Wisconsin in 2023.

As a storyteller, multidisciplinary artist Patricia Piccinini hints at the possibilities of new Earth-dwelling species, modes of resilience, and evolutionary potentials in response to our changing Earth/home. With encounters of another plot—on view at the John Michael Kohler Arts Center in Sheboygan, Wis., through October 29—Piccinini continues her narrative inquiry into people’s relationships with the world and the shifting border between artificial and natural. Working primarily in a hyperrealist tradition of sculpture, Piccinini gathers information from scientific research and current events to envision genetically and physically adapted creatures. These new beings are akin to Earth creatures but armed with reconfigured bodies and new survival mechanisms.

She admits she is using scientific research, however I haven't seen her references to this exact research. What is she actually telling us, that these creatures do exist?

you can find the article and pdf here

https://www.jmkac.org/wp-content/uploads/PDFs/Patricia-Piccinini-encounters-of-another-plot.pdf

INSTRUMENTS OF LIFE SERIES  WE ARE ALL CONNECTED

You can find more examples of her work and her artistic focus here;

https://arterritory.com/en/visual_arts/interviews/25436-we_are_all_connected/

It's a long article but she goes into detail about her concerns with some of the issues being pushed on society/culture in the 21^st century.  You'll have to decide for yourself if she is preparing us for what is to come, warning us, guiding us, manipulating us,  or very sincerely asking us to SEE the NATURE of this reality and our part in it.